视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。佛罗里达网球学院，动画第二期的舞台。在那里等待着的，是以职业顶端为目标、在相互竞争的高压中一步一步提高排位的选手们。人生中第一次接受海外留学考验的丸尾荣一郎，将要跨越怎样的高墙到达怎样的新世界？以当今的热门话题，从网球业内的角度，明白易懂地描绘了少年们成长的真实物语。。约翰带同太太玛莉来到加拿大。房屋经纪介绍他们一间房子，邻居是一名单身女住客婉丝，在她指导下将花园种满了鲜花。一晚，花园内所有的鲜花都被摧毁了，而另一晚，玛莉从舞会回来时，发现一名女子吊死在屋内。一向深爱玛莉的约翰更被安排为一个杀妻的凶手……。
