视频简介
在蕾贝嘉（维多利亚·阿布里尔 Victoria Abril饰）的童年时期，作为当红歌手的母亲（玛丽莎·佩雷德斯 Marisa Paredes饰）就为了事业而远走他乡，抛下女儿独自长大。蕾贝嘉一直想挽留母亲在身边，不惜间接害死继父，这一切都是枉然。 母亲的光彩太耀眼，蕾贝嘉尽其一生去模仿追赶，想要成为母亲那样的人；同时，母亲的无情和永远无法超越的高度，却令蕾贝嘉对她充满妒和恨。她当上了新闻主播，嫁给了母亲的旧情人，力图让自己变得强大。但是母亲回来后，和蕾贝嘉的丈夫爱火重生，这让蕾贝嘉非常生气。她一怒之下把丈夫杀死，并坦诚了自己的罪行。 蕾贝嘉入狱后，母亲反省自己和女儿的关系为何变成这样。她要赎罪，要把正当盛年的女儿从监狱里救出来，让蕾贝嘉继续寻找幸福的归宿。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。孤儿出身的农村青年赵光（黄宏 饰）打小吃百家饭长大，经过多年勤劳致富，终于成为不大不小的养鸡专业户，生活条件改善了的赵光知恩图报，为福利院的孤儿们慷慨捐款，面对媒体的热情采访，赵光声称“愿为所有孤儿当爹。”岂料一句话竟真的引来了一群无家可归的孩子投奔，未婚青年赵光成了孩子头，未婚妻刘桂清（李琳 饰）一家对赵光的大话颇为不满，村民们也为孩子们的淘气头疼不已，骑虎难下的赵光决定凭一己之力照顾好25个孩子的生活，从父母到老师的角色全部亲力亲为……最终赵光的努力与诚意能够得到美满的结局么？ 本片取材于真人真事，由喜剧演员黄宏在北大读研期间指导，获2002年金鸡奖导演处女作奖。。